Talk:Shahram Entekhabi

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Work needed[edit]

I've just removed a host of inappropriate categories - he's not a work of art, nor, being born in the 1960s, can he be classed as a modernist. The article needs a great deal of work - even just a glance reveals the bizarre use of preposterous (is this meant in the Shakespearean sense?!?) and so many other issues it's difficult to know where to begin! DionysosProteus 03:19, 11 November 2007 (UTC)[reply]

Trimming[edit]

I've removed much of the subjective (and in some cases incomprehensible) commentary, to reduce the article to the bare facts asserted, put a speedy delete tag on List of exhibitions by Shahram Entekhabi, and removed the less notable group exhibitions to here:

2007

  • Bare Life, curator Raphie Etgar — Museum on the Seam, Jerusalem, Israel
  • PAN Opere e documenti 2005-2007 — curator Marina Vergiani, alazzo delle Arti Napoli, Neapel, Italy
  • Mahrem, curators Emre Baykal in collaboration with Nilufer Gole — santralistanbul, Istanbul - Turkey
  • Krieg der Knöpfe (War of the Buttons. Children and the World of War) — Landesmuseums, Linz, Austria
  • LED-Wall, Zeithaus, VW Autostadt, Wolfsburg, Germany
  • HAZARD: Performance Festival— Manchester City Centre, UK
  • Commè amaro stu ppane — Centre d'art Nei Liicht, Dudelange, Luxembourg
  • Sin cobertura. Independent Video from the Middle East— Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
  • War of the Buttons. Children and the World of War — Århus Kunstbygning Center for Contemporary Art, Århus, Denmark
  • .LOOP — Espace Croisé, Roubaix Cedex 1, France

2006

  • der Knöpfe (War of the Buttons) — Ursula Blickle Stiftung, Kraichtal-Unteröwisheim, Germany
  • Land Is My Land (II/ Berlin) — Neue Gesellschaft für Bildende Kunst (NGBK), Berlin
  • Biennale — Busan Museum of Modern Art, Busan Yachting Center, Korea
  • : Visual sound — Ljubljana, Slovenia.
  • TAG = 100 VIDEOS — Heidelberger Kunstverein, Heidelberg, Germany
  • III — Neue Gesellschaft für Bildende Kunst (NGBK), Berlin
  • - Dévoiler — Villa du Parc- Centre d’art Contemporain, Annemasse, France
  • X - zu Rassismus und Ausgrenzung — Nikolaikirche, Rostock, Germany
  • Land Is My Land — Kunsthalle Nürnberg, Germany (catalogue)
  • — La Capella, Barcelona, Spain (catalogue)
  • Artists Residency Exhibition — Vasl Art, Haveli Baroodkhana, Lahore, Pakistan
  • In Space. 19th Annual Images Festival — Vtape, Toronto, Canada
  • Media Arts international, the Middle Eastern Video Project — Sydney Opera House, Sydney, Australia

--Ethicoaestheticist (talk) 16:11, 20 January 2008 (UTC)[reply]

AfD of List of exhibitions by Shahram Entekhabi[edit]

Please note that there's an AfD discussion of List of exhibitions by Shahram Entekhabi at Wikipedia:Articles for deletion/List of exhibitions by Shahram Entekhabi.--Ethicoaestheticist (talk) 22:49, 20 January 2008 (UTC)[reply]

Birth date[edit]

see also folowing publications:

Edition 5 Erstfeld” Ruth Nyffeler, Jürg Nyffeler, Barbara Zürcher (publishers), edition pudelundpinscher, Erstfeld, pp. 38, 119 ISBN: 978-3-9523273-8-8

501 Great Artists - A Comprehensive Guide to the Giants of the Art World Stephen Farthing - Hardcover english - 9780764161339 Publisher: BARRONS EDUCATIONAL Hardcover w/jacket / 640 Pages / 6 1/4 x 8 1/4 / 2008 ISBN-13: 9780764161339 ISBN-10: 0764161334

Identity. Catalogue 'Werkschau Nr. 45' ate of release: January 31th 2011 Edited by Fotogalerie Wien Contextual essays by Claudia Marion Stemberger 144 pages, English and German, numerous color images ISBN 978-3-902725-30-1

Iran Inside Out - Influences of Homeland and Diaspora on the Artistic Language of Contemporary Iranian Publisher: Chelsea Art Museum; SHIPS FROM JULY 20th, 2009 edition (2009) Language: English, Paperback: 160 pages ISBN-10: 0982397712 ISBN-13: 978-0982397718

Titel Transkultura: Shahram Entekhabi, Wojtek Doroszuk, Wael Shawky, Olaf Breuning, Jesper Alvaer & Isabela Grosseová, Adrian Paci, Loulou Cherinet Editors: Zygmunt Bauman, Anna Smolak, Magdalena Ujma Publisher: Galeria Sztuki Wspó?czesnej Bunkier Sztuki, 2007 139 Pages, English ISBN 8386905875 9788386905874

The Promise of Loss Publisher: Hilger BrotKunsthalle Englisch, 210 x 148 mm, 92 Pages ISBN | 978-3-902250-50-6

Installationskünstler Verlag: Books LLC, 2011, German, 204 Pages ISBN-13: 9781158755028 ISBN-10: 1158755023

I Am.. An audience-centered public installation Penang Malaysia Muzium & Galeri Tuanku Fauziah USM, 2010 English, 92 Pages ISBN 978-967-10008-8-5

One Person’s Trash is another Person’s Treasure The book by Shahram Entekhabi from “the book by” series of Fine Arts Unternehmen Books AG. Language: English Pages: 128 Format:15 x 21 cm Publish Date: 2008 Codes: ISBN-10 3-03720-010-3 ISBN-13 978-3-03720-010-0 EAN 9783037200100

Negative Reviews[edit]

The quotation of these reviews has no scientific importance, since they just recall the opinion of two journalists. I found the artist also in publications like "501 Great Artists", by Farthing, Stephen (EDT)　and Dyer, Geoff (FRW), Barrons Educational Series Inc （2008/10), or in "The Pre-Occupation of. Postcolonial Studies", by Afzal-Khan, Fawzia, and Kalpana Seshadri-Crooks, eds., Durham, nc: Duke University Press, 2000. Besides he is reviewed in "Kritische Berichte", Hildesheim/Germany, or in "Kunstforum International", "Bidoun", "Umelec", Prague and "Flash Art International", "Artasiapacific", etc. So, please, keep the scientific approach in that page.

  • 501 Great Artists, Farthing, Stephen (EDT)　Dyer, Geoff (FRW), Barrons Educational, Apple Press ISBN-10: 1845433114
  • One person’s Trash is another Person’s Treasure, The book by Shahram Entekhabi, from “the book by” series of Fine Arts Unternehmen Books AG. Publish Date: 2008, ISBN 3-03720-010-3
  • Fremde Männer : Männlichkeit und Ethniziät – Other Men kritische berichte Heft 4.2007 Sabine Kampmann und Alexandra Karentzos Jonas Verlag / kritische berichte
  • BARE LIFE, 2007, The Museum on the Seam, Jerusalem, Exhibition Cataloge
  • Spacecraft, Fleeting Architecture and Hideouts, September 2007, Editors: R. Klanten, L. Feireiss, ISBN 978-3-89955-192-1
  • réations artistiques contemporaines en pays d'islam, Publisher: Kimé (Jan 12 2007) ISBN 2841744027
  • Art History : Glub (Hearts), volume 30 Issue 3, June 2007, doi 10.1111/j.1467-8365.2007.00556.x
  • Bal Journal of Visual Culture.2007; 6 Translating Translation
  • 14 • Colonial Discourse, Postcolonial Theory Procter and Morton Years Work Crit Cult Theory.2007
  • Kämpfer, Träumer & Co, 2006, Verlag: Neue Galerie der Stadt Linz, Lentos Kunstmuseum Linz, ISBN 390222312X & Krieg der Knöpfe (Kinder und die Welt des Krieges), 2006 War of the Buttons (Children and the World of War), Ursula-Blickle-Stiftung, ISBN 3-930043-29-7
  • URBAN CREATURES, Pori Art Museum Publications 79, 2006 color illustrations, ISBN: 951-9355-97-9
  • This Land Is My Land + SUPPLEMENT, 2006, NGBK, Berlin, ISBN 3-938515-05-8
  • n.paradoxa, Vol 17 January, 2006, international. feminist art journal, ISSN / ISBN 1461-0434
  • Postcolonial Studies, vol. 8 (1), 2005 Food, Form, and Visibility: Glub and the Aesthetics of Everyday Life, DOI 10.1080/13688790500130149
  • FAR NEAR DISTANCE (Entfernte Nähe), 2004, Contemporary Positions of Iranian Artists, ISBN 3-9808851-4-3
  • GLUB, 2004, Case Western Reserve University, Cleveland/OH, USA Exhibition Nikita-von-rebeck (talk) 20:57, 25 August 2009 (UTC)[reply]
I've removed the 'Negative Reviews' section heading as unduly POV. The reviews look negative to me, but calling them negative in the article is an evaluation of the sources, rather than a presentation of the sources.--Ethicoaestheticist (talk) 21:10, 25 August 2009 (UTC)[reply]
I've also rephrased the L Magazine review, because the criticism was of several pieces in the show. The New York Times specifically makes a judgement about Entekhabi's work, so that should stay.--Ethicoaestheticist (talk) 21:24, 25 August 2009 (UTC)[reply]
I DON'T SEE THIS NECESSITY! if we leave the The New York Times comment why we don't have to keep the new one. it looks like some one try to keep it as it was, <i tried to give the article an relevant art historian structure but all the comment and changes are like it is not good enough for me without any specific reason. Nikita-von-rebeck (talk) 13:20, 22 October 2009 (UTC)[reply]
I have removed a subjective and biased insertion by jigsawnovich who quoted her own article in support of her assertion. It is like saying: "He is good because... I said so!" I have removed the biased passage based on the original article itself: http://www.persianesquemagazine.com/2009/07/20/contemporary-art-iran-inside-out/ —Preceding unsigned comment added by FirouzFirouz (talk • contribs) 05:38, 20 October 2009 (UTC)[reply]
Rather than arguing about this or that review, perhaps attention should be directed to adding sources confirming that the artist is notable enough for an encyclopedia article in the first place.--Ethicoaestheticist (talk) 23:07, 1 November 2009 (UTC)[reply]

Notability[edit]

The old "This article may not meet the general notability guideline" from 2007, should be removed. Nikita-von-rebeck (talk) 11:58, 9 November 2009 (UTC)[reply]

Why?--Ethicoaestheticist (talk) 23:51, 20 November 2009 (UTC)[reply]
Because this is almost 3 years ago and several editor worked on it! Farhangnama (talk) 17:07, 6 December 2009 (UTC)[reply]

Having evaluated the sources currently provided by the article, I've just restored the tag, as per Wikipedia:Notability (people)#Creative professionals. Looks like there might be some sources in the list above here. If any establish notability, they could be added to the article and the tag removed. The ones there at the moment don't suffice.  • DP •  {huh?} 15:46, 13 May 2011 (UTC)[reply]

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