Talk:Chromatic Fantasia and Fugue

Germany Low‑importance

	Germany portal This article is within the scope of WikiProject Germany, a collaborative effort to improve the coverage of Germany on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.GermanyWikipedia:WikiProject GermanyTemplate:WikiProject GermanyGermany articles
Low	This article has been rated as Low-importance on the project's importance scale.

Classical music: Compositions

	Classical music portal This article is within the scope of WikiProject Classical music, which aims to improve, expand, copy edit, and maintain all articles related to classical music, that are not covered by other classical music related projects. Please read the guidelines for writing and maintaining articles. To participate, you can edit this article or visit the project page for more details.Classical musicWikipedia:WikiProject Classical musicTemplate:WikiProject Classical musicClassical music articles
	This article is supported by Compositions task force.

A fact from Chromatic Fantasia and Fugue appeared on Wikipedia's Main Page in the Did you know column on 5 June 2015 (check views). The text of the entry was as follows:

Did you know... that Bach's Chromatic Fantasia and Fugue for keyboard was regarded as "unique" and "second to none" by Bach's first biographer, Johann Nikolaus Forkel?

A record of the entry may be seen at Wikipedia:Recent additions/2015/June. The nomination discussion and review may be seen at Template:Did you know nominations/Chromatic Fantasia and Fugue.

Wikipedia

Suggestion[edit]

In the article of this piece - as in others on works by Bach - the empty upper right corner could be filled by an infobox, - at-a-glance information for a first visitor, example pictured, --Gerda Arendt (talk) 13:29, 4 June 2015 (UTC)[reply]

Was done, removed here to avoid clutter, --Gerda Arendt (talk) 07:43, 11 July 2015 (UTC)[reply]

External links modified[edit]

Hello fellow Wikipedians,

I have just modified one external link on Chromatic Fantasia and Fugue. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:

Added archive https://web.archive.org/web/20131213121545/http://www.hermann-keller.org/downloads/007.1954bjbkpl.pdf to http://www.hermann-keller.org/downloads/007.1954bjbkpl.pdf

When you have finished reviewing my changes, you may follow the instructions on the template below to fix any issues with the URLs.

Y An editor has reviewed this edit and fixed any errors that were found.

If you have discovered URLs which were erroneously considered dead by the bot, you can report them with this tool.
If you found an error with any archives or the URLs themselves, you can fix them with this tool.

Cheers.—InternetArchiveBot (Report bug) 22:23, 6 August 2017 (UTC)[reply]

Error in translation[edit]

In the article about "Bach's Chromatic Fantasia and Fugue," the German explanation of the fugue's theme states: "Das Thema der Fuge beginnt mit einer in Halbtonschritten aufsteigenden Linie von a nach c, hier also von der Terz zur Quinte der zu d-Moll parallelen Dur-Tonart F-Dur." This interpretation suggests that the passage from A to C is seen as part of F major, which is an unusual and arguably incorrect view given the piece's harmonic content.

A more accurate description would be that the theme begins with an upward chromatic line from the fifth of D minor to the seventh, moving from A to C. The following phrase emphasizes D minor. Then the tonal answer appropriately begins DE F F# G, a sequence that takes D minor and changes it to D major, leading us towards G minor then back through A major (dominant) to D minor.

The German text assumes the a-b-h-c is interpreted as F major but that is clearly wrong, considering the tonal continuation.

I have therefore allowed myself to change the section "Fugue".

Please note that while I strive to respect the original German text, the premise that the theme begins as if in F major is difficult to substantiate within the context of the piece's overall harmonic framework.

Later in the Fugue there may be instances where the chromatic line is used in different ways, but clearly every time and especially in the reprise the beginning a b h c (Bach's initials btw) are used as A minor leading to D Major leading to G minor then the answer leads us back (E minor, A major to D minor). That is an inventive though not radical way to create a fugato. d-axel (talk) 18:06, 12 May 2024 (UTC)[reply]